EVVA MIZERSKA
B i o g r a p h y
Named a “rising star” by The Strad magazine, Evva Mizerska is an award-winning cellist, recitalist, and chamber musician. A highly sought-after performer, she has appeared as a soloist or recitalist in major venues such as the Royal Festival Hall, the Purcell Room (Queen Elizabeth Hall), St George’s Bristol, and Conway Hall, alongside international performances across Austria, Brazil, the Czech Republic, Slovakia, France, Germany, Italy, and Poland. Her solo appearances include the Elgar, Schumann, and Saint-Saëns concerti, as well as the Beethoven Triple Concerto and Duruflé’s Requiem.
Evva has also broadcast for BBC Radio 3 and Polish Radio.Born in Poland, Evva graduated from the Frédéric Chopin Academy of Music in Warsaw, studying under Professor Andrzej Zieliński and Piotr Hausenplas. She later completed Postgraduate Diploma and MMus courses at Trinity College of Music in London, studying with Richard Markson, alongside tuition and masterclasses from Yonty Solomon, Bernard Greenhouse, Raphael Sommer, and Erling Blöndal Bengtsson. Evva has been awarded numerous prizes, including first prize at the Seventh International Leoš Janáček Competition in Brno, the Vivian Joseph Cello Prize, and the Leonard Smith Duo Prize in London, as well as scholarships and grants in the UK, Germany, and the USA.
Evva currently lives in London. Her core chamber music partnerships include pianist Emma Abbate, the Zemlinsky Trio (formed with clarinettist Peter Cigleris and Emma Abbate), and the Veles Ensemble (a string trio of which Evva is a founding member). Evva has a strong interest in Polish and contemporary music. She has commissioned pieces by contemporary Polish composers—performing them as part of her Junior Fellowship concert series at Trinity College of Music—and has premiered works by English composers Graham Coatman and Stephen Dodgson, as well as the prominent Polish composers Aleksandra Gryka and Weronika Ratusinska.
Evva’s extensive discography has received outstanding reviews in magazines such as The Strad, Gramophone, International Record Review, Fanfare, and Germany’s Fonoforum. Her recorded output features significant solo and duo releases, including the complete cello and piano music by Stephen Dodgson and Algernon Ashton (Vol. 1) with pianist Emma Abbate, and works by Krzysztof Meyer with pianists Emma Abbate and Katarzyna Glensk (Toccata Classics), alongside recordings for Naxos and the Polish label DUX. Her past chamber music projects include acclaimed recordings with the Veles Ensemble featuring works by Steve Elcock and Egon Wellesz (Toccata Classics). Building on this catalogue, her forthcoming releases include a project with the Zemlinsky Trio—generously supported by an Arts Council England National Lottery Grant—featuring world-premiere recordings of 20th and 21st-century British repertoire due out on SOMM Recordings.

MY CELLO
was made by John Dilworth in 2007; It is a copy of a Guadanini. I wanted this particular model because of its small size. Despite that the sound is resonant, large and very warm.