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      <title>Krzysztof Meyer - Cello Sonata no. 1 op. 62</title>
      <link>http://www.evvamizerska-cellist.co.uk/Evva/recordings/Entries/2009/6/3_Krzysztof_Meyer_-_Cello_Sonata_no._1_op._62.html</link>
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      <pubDate>Wed, 3 Jun 2009 14:11:02 +0100</pubDate>
      <description>&lt;a href=&quot;http://www.evvamizerska-cellist.co.uk/Evva/Media/Meyer%20son%201%20cz%201.mov&quot;&gt;&lt;img src=&quot;http://www.evvamizerska-cellist.co.uk/Evva/recordings/Media/TOCC-0098-250_5.jpg&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:174px; height:174px;&quot;/&gt;&lt;/a&gt;Mov. 1 - Misterioso&lt;br/&gt;Recorded by Evva Mizerska - cello and Emma Abbate - piano. &lt;br/&gt;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His music marries a powerful sense of drama with a long-breathed lyricism in a largely tonal framework, placing him downstream from Shostakovich, who was a friend and supporter of the young composer. Of his two cello sonatas (1983 and 2004) and Canzona (1981), Meyer writes, ‘I wanted the melody to be predominant – not a post-Romantic cantilena but absolutely contemporary. And the cello, like no other instrument, is perfect for that’.</description>
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      <itunes:subtitle>Mov. 1 - Misterioso&#13;Recorded by Evva Mizerska - cello and Emma Abbate - piano. &#13;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His</itunes:subtitle>
      <itunes:summary>Mov. 1 - Misterioso&#13;Recorded by Evva Mizerska - cello and Emma Abbate - piano. &#13;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His music marries a powerful sense of drama with a long-breathed lyricism in a largely tonal framework, placing him downstream from Shostakovich, who was a friend and supporter of the young composer. Of his two cello sonatas (1983 and 2004) and Canzona (1981), Meyer writes, ‘I wanted the melody to be predominant – not a post-Romantic cantilena but absolutely contemporary. And the cello, like no other instrument, is perfect for that’.</itunes:summary>
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      <title>Krzysztof Meyer - Cello Sonata no. 1 op. 62</title>
      <link>http://www.evvamizerska-cellist.co.uk/Evva/recordings/Entries/2009/6/3_Krzysztof_Meyer_-_Cello_Sonata_no._1_op._62_1.html</link>
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      <pubDate>Wed, 3 Jun 2009 14:10:57 +0100</pubDate>
      <description>&lt;a href=&quot;http://www.evvamizerska-cellist.co.uk/Evva/Media/Meyer%20son%201%20cz%202.mov&quot;&gt;&lt;img src=&quot;http://www.evvamizerska-cellist.co.uk/Evva/recordings/Media/TOCC-0098-250_6.jpg&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:174px; height:174px;&quot;/&gt;&lt;/a&gt;Mov. 2 - Furioso&lt;br/&gt;Recorded by Evva Mizerska - cello and Emma Abbate- piano. &lt;br/&gt;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His music marries a powerful sense of drama with a long-breathed lyricism in a largely tonal framework, placing him downstream from Shostakovich, who was a friend and supporter of the young composer. Of his two cello sonatas (1983 and 2004) and Canzona (1981), Meyer writes, ‘I wanted the melody to be predominant – not a post-Romantic cantilena but absolutely contemporary. And the cello, like no other instrument, is perfect for that’.</description>
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      <itunes:duration>00:01:27</itunes:duration>
      <itunes:subtitle>Mov. 2 - Furioso&#13;Recorded by Evva Mizerska - cello and Emma Abbate- piano. &#13;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His mus</itunes:subtitle>
      <itunes:summary>Mov. 2 - Furioso&#13;Recorded by Evva Mizerska - cello and Emma Abbate- piano. &#13;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His music marries a powerful sense of drama with a long-breathed lyricism in a largely tonal framework, placing him downstream from Shostakovich, who was a friend and supporter of the young composer. Of his two cello sonatas (1983 and 2004) and Canzona (1981), Meyer writes, ‘I wanted the melody to be predominant – not a post-Romantic cantilena but absolutely contemporary. And the cello, like no other instrument, is perfect for that’.</itunes:summary>
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      <title>Krzysztof Meyer - Cello Sonata no. 1 op. 62</title>
      <link>http://www.evvamizerska-cellist.co.uk/Evva/recordings/Entries/2009/6/3_Krzysztof_Meyer_-_Cello_Sonata_no._1_op._62_2.html</link>
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      <pubDate>Wed, 3 Jun 2009 14:10:35 +0100</pubDate>
      <description>&lt;a href=&quot;http://www.evvamizerska-cellist.co.uk/Evva/Media/Meyer%20son%201%20cz%203.mov&quot;&gt;&lt;img src=&quot;http://www.evvamizerska-cellist.co.uk/Evva/recordings/Media/TOCC-0098-250_7.jpg&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:174px; height:174px;&quot;/&gt;&lt;/a&gt;Mov. 3 - Con moto&lt;br/&gt;Recorded by Evva Mizerska - cello and Emma Abbate - piano. &lt;br/&gt;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His music marries a powerful sense of drama with a long-breathed lyricism in a largely tonal framework, placing him downstream from Shostakovich, who was a friend and supporter of the young composer. Of his two cello sonatas (1983 and 2004) and Canzona (1981), Meyer writes, ‘I wanted the melody to be predominant – not a post-Romantic cantilena but absolutely contemporary. And the cello, like no other instrument, is perfect for that’.</description>
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      <itunes:duration>00:03:27</itunes:duration>
      <itunes:subtitle>Mov. 3 - Con moto&#13;Recorded by Evva Mizerska - cello and Emma Abbate - piano. &#13;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His m</itunes:subtitle>
      <itunes:summary>Mov. 3 - Con moto&#13;Recorded by Evva Mizerska - cello and Emma Abbate - piano. &#13;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His music marries a powerful sense of drama with a long-breathed lyricism in a largely tonal framework, placing him downstream from Shostakovich, who was a friend and supporter of the young composer. Of his two cello sonatas (1983 and 2004) and Canzona (1981), Meyer writes, ‘I wanted the melody to be predominant – not a post-Romantic cantilena but absolutely contemporary. And the cello, like no other instrument, is perfect for that’.</itunes:summary>
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      <title>Krzysztof Meyer - Sonata no. 2 op. 99</title>
      <link>http://www.evvamizerska-cellist.co.uk/Evva/recordings/Entries/2009/6/3_Krzysztof_Meyer_-_Sonata_no._2_op._99.html</link>
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      <pubDate>Wed, 3 Jun 2009 14:03:38 +0100</pubDate>
      <description>&lt;a href=&quot;http://www.evvamizerska-cellist.co.uk/Evva/Media/Meyer%20son%202%20cz%201.mov&quot;&gt;&lt;img src=&quot;http://www.evvamizerska-cellist.co.uk/Evva/recordings/Media/TOCC-0098-250_8.jpg&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:174px; height:174px;&quot;/&gt;&lt;/a&gt;Mov. 1 - Mesto&lt;br/&gt;Recorded by Evva Mizerska - cello and Katarzyna Glensk - piano. &lt;br/&gt;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His music marries a powerful sense of drama with a long-breathed lyricism in a largely tonal framework, placing him downstream from Shostakovich, who was a friend and supporter of the young composer. Of his two cello sonatas (1983 and 2004) and Canzona (1981), Meyer writes, ‘I wanted the melody to be predominant – not a post-Romantic cantilena but absolutely contemporary. And the cello, like no other instrument, is perfect for that’.</description>
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      <itunes:explicit>no</itunes:explicit>
      <itunes:duration>00:02:33</itunes:duration>
      <itunes:subtitle>Mov. 1 - Mesto&#13;Recorded by Evva Mizerska - cello and Katarzyna Glensk - piano. &#13;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His</itunes:subtitle>
      <itunes:summary>Mov. 1 - Mesto&#13;Recorded by Evva Mizerska - cello and Katarzyna Glensk - piano. &#13;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His music marries a powerful sense of drama with a long-breathed lyricism in a largely tonal framework, placing him downstream from Shostakovich, who was a friend and supporter of the young composer. Of his two cello sonatas (1983 and 2004) and Canzona (1981), Meyer writes, ‘I wanted the melody to be predominant – not a post-Romantic cantilena but absolutely contemporary. And the cello, like no other instrument, is perfect for that’.</itunes:summary>
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      <title>Krzysztof Meyer - Sonata no. 2 op. 99</title>
      <link>http://www.evvamizerska-cellist.co.uk/Evva/recordings/Entries/2009/6/3_Krzysztof_Meyer_-_Sonata_no._2_op._99_1.html</link>
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      <pubDate>Wed, 3 Jun 2009 14:01:17 +0100</pubDate>
      <description>&lt;a href=&quot;http://www.evvamizerska-cellist.co.uk/Evva/Media/Meyer%20son%202%20cz%202.mov&quot;&gt;&lt;img src=&quot;http://www.evvamizerska-cellist.co.uk/Evva/recordings/Media/TOCC-0098-250_9.jpg&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:174px; height:174px;&quot;/&gt;&lt;/a&gt;Mov. 2 - Delicato&lt;br/&gt;Recorded by Evva Mizerska - cello and Katarzyna Glensk - piano. &lt;br/&gt;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His music marries a powerful sense of drama with a long-breathed lyricism in a largely tonal framework, placing him downstream from Shostakovich, who was a friend and supporter of the young composer. Of his two cello sonatas (1983 and 2004) and Canzona (1981), Meyer writes, ‘I wanted the melody to be predominant – not a post-Romantic cantilena but absolutely contemporary. And the cello, like no other instrument, is perfect for that’.</description>
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      <itunes:explicit>no</itunes:explicit>
      <itunes:duration>00:01:14</itunes:duration>
      <itunes:subtitle>Mov. 2 - Delicato&#13;Recorded by Evva Mizerska - cello and Katarzyna Glensk - piano. &#13;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. </itunes:subtitle>
      <itunes:summary>Mov. 2 - Delicato&#13;Recorded by Evva Mizerska - cello and Katarzyna Glensk - piano. &#13;Krzysztof Meyer, born in Kraków in 1943 and a student of Penderecki, Lutosławski and Nadia Boulanger, is one of the leading Polish composers of the day. His music marries a powerful sense of drama with a long-breathed lyricism in a largely tonal framework, placing him downstream from Shostakovich, who was a friend and supporter of the young composer. Of his two cello sonatas (1983 and 2004) and Canzona (1981), Meyer writes, ‘I wanted the melody to be predominant – not a post-Romantic cantilena but absolutely contemporary. And the cello, like no other instrument, is perfect for that’.</itunes:summary>
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